
Print & Out-of-Home
Print advertising is not dead, just pricier
Circulation has fallen and cost per contact has risen. What has also risen is the attention a printed page receives, and that changes the sum.
Section
Press ads, billboards, DOOH, radio, TV, cinema and direct mail.

Print & Out-of-Home
Circulation has fallen and cost per contact has risen. What has also risen is the attention a printed page receives, and that changes the sum.

Print & Out-of-Home
The rate card is a starting point, the position matters more than the size, and the readership figure is not the number you should plan with.

Print & Out-of-Home
Small circulations, high cost per thousand, and almost no waste. For business-to-business advertisers this is frequently the most efficient channel available.

Print & Out-of-Home
Response rates between 0.1 and 2 per cent, and the difference between those two figures is almost entirely the offer.

Print & Out-of-Home
Expensive to produce, frequently out of date before they arrive, and still the right answer for considered purchases. The planning decides which.

Print & Out-of-Home
The cheapest brand touchpoint you own and the one most often left to whoever ordered it last time.

Print & Out-of-Home
Cheaper per household than distribution, targetable by district, and measurable. The most underrated local channel available.

Print & Out-of-Home
Six technical requirements that cause almost every rejected file, late reprint and disappointing colour result.

Print & Out-of-Home
The physical qualities of a printed piece communicate before anything printed on it is read. Four decisions carry almost all of that effect.

Print & Out-of-Home
Six words, one image, and two seconds of attention. Outdoor is the most disciplined medium there is, and the discipline is where most campaigns fail.

Print & Out-of-Home
Screens allow the message to change by hour, weather and event. Most advertisers buy them and run one static image for a fortnight.

Print & Out-of-Home
Inside a vehicle you have a captive audience with eleven minutes of nothing to do. Outside you have three seconds. Two completely different formats.

Print & Out-of-Home
A one-off cost, no monthly fee, and tens of thousands of impressions a year. For a local business this is the cheapest advertising available.

Print & Out-of-Home
The most-seen advertising a retailer owns, changed least often, and usually treated as storage with a view.

Print & Out-of-Home
Large surfaces at street level, in place for months, at a fraction of poster rates. Available to whoever thinks to ask.

Print & Out-of-Home
Cheap, memorable and legally risky. The successful examples are the ones that had permission and a plan for what happens afterwards.

Print & Out-of-Home
Thirty seconds, one message, and a listener doing something else. Radio is cheap to buy and easy to waste.

Print & Out-of-Home
Regional windows and addressable inventory have brought television within reach of budgets that could never have considered it. The production cost is now the barrier.

Print & Out-of-Home
A dark room, a large screen, and an audience that cannot look away. The highest attention available in any medium, for a very specific audience.

Print & Out-of-Home
Television with the targeting of digital and the attention of broadcast. The measurement is better than television and worse than it appears.

Print & Out-of-Home
One costs pennies per household and gets a fraction of a per cent. The other costs pounds per name and gets several per cent. The right answer depends entirely on order value.

Print & Out-of-Home
Eight seconds to decide whether to keep it. Four elements determine what happens in those eight seconds, and the letter itself is not one of them.

Print & Out-of-Home
Expensive, slow, and one of the few marketing formats customers actively keep. Worth it for a specific kind of business and wasteful for the rest.

Print & Out-of-Home
The measure is not how many you hand out. It is how many are still in use in a year, and for most items the answer is none.